WWE Superstar Cody Rhodes To Guest-Star On Warehouse 13

WWE Superstar Cody Rhodes joins Warehouse 13 as Joanne Kelly’s (Myka Bering) unrequited high school love interest in an upcoming August episode.

Rhodes (WWE Friday Night SmackDown) guest-stars as Kurt Smoller, the former captain of Myka’s high school football team. Charming and good-natured, Kurt shows up at the high school reunion looking better than ever and, in spite of complications brought on by exposure to an artifact, Myka finds herself romantically drawn to him. Rhodes joins other announced Warehouse 13 guest-stars Lindsay Wagner (The Bionic Woman), Tia Carrere (Wayne’s World), Nolan Gerard Funk (Aliens in America), Jewel Staite (Stargate Atlantis, Firefly) and Sean Maher (Firefly) as well as Philip Winchester (Crusoe, Alice) and Paula Garces (Defying Gravity).

Warehouse 13 kicks off its sophomore season, Tuesday, July 6th @ 9:oo p.m. EST/PST on the Syfy Channel.

Syfy Loads Warehouse 13 With Exciting New Guest-Stars

WAREHOUSE 13, the most successful series in the Syfy Channel’s history, has announced that Gina Torres will join Firefly alums Jewel Staite and Sean Maher as guest-stars during the second season, which kicks off in July. The show is currently in production in Toronto.

Philip  Winchester (Crusoe, Alice) and Paula Garces (Defying Gravity) will also appear as guest-stars this year. Torres’ and Garces’ roles are both love interests for Pete (Eddie McClintock). Torres, who portrayed Zoe Washburne in Firefly, plays Kate, an agent from Pete’s past. Garces, who played Paula Morales in Defying Gravity and Officer Tina Hanlon in The Shield, assumes the recurring role of Kelly, a sexy, spunky headstrong veterinarian in the Warehouse town of Univille who catches Pete’s eye.

In the episode featuring Philip Winchester (Jack Chase in Alice), Pete and Myka (Joanne Kelly) discover an object in the Warehouse town of Univille is transmitting increasingly dangerous scenes from old Hollywood movies. Winchester plays 1950s matinée idol Raymond St. James, the star of these movies, in roles which include a Cowboy, a Marine, a Gladiator and a Mad Scientist.

Alice’s Caterina Scorsone – Wonderland’s Everywoman

The Syfy Channel's re-imagined Alice Hamilton (Caterina Scorsone). Photo by James Dittiger and copyright of The Syfy Channel

When she was a child, actress Caterina Scorsone read Lewis Carroll’s Alice in Wonderland books, not knowing that one day she would not only be stepping into Wonderland, but also walking in Alice’s shoes. However, in the Syfy Channel miniseries Alice, this iconic literary character is quite unlike the little blonde-haired girl who most of us are familiar with. For one thing, this Alice is a brunette. She is also a twentysomething martial arts instructor who very much has a mind of her own. While Alice may have grown up, she still retains elements of the original character, which Scorsone could not be more pleased about. 

“In this production, Alice is the everywoman, just like in Lewis Carroll’s original story,” explains the actress during one of her days off from filming this past summer. “She is the eyes through which viewers get to observe this wonderful and strange world, and that can be Wonderland or the world in general. Alice is kind of the perspective for the audience on just how bewildering life can be. The character is a tough cookie in this version of Alice. It’s a re-telling, so she’s an adult and very self-sufficient in the beginning of the story and throughout. At the same time, Alice is vulnerable and there are a lot of areas that she has yet to explore within herself as well as Wonderland. And this place called Wonderland is where she, and the viewer, get to discover all those sorts of places that she is not comfortable with all of the time. 

“This is kind of a new spin on the story, so it’s very contemporary and brings elements of psychology into some of the whimsy and fantasy that Lewis Carroll set up in his books. In terms of acting, this has been one of the most satisfying projects I’ve ever worked on. There are a lot of procedural dramas on TV right now, and that’s terrific and they have their place, but as far as personal stakes, they’re not always as satisfying. It’s great to solve a crime and it’s very compelling and interesting and I love watching stories like that, but as an actor, it’s the personal journeys that truly excite me. And in Alice, my character goes through such a transformation, more so than in any other project I’ve ever done. I’ve had the chance to play a tremendous range with her. 

One tough cookie. Photo by James Dittiger and copyright of The Syfy Channel

“She starts out pretty much emotionally closed, but by the end of the story, all her walls and defenses have been blasted away. It’s been a joy to work with the other actors who have been cast. Everyone who comes to work is so professional and so well-prepared that you know anything emotionally challenging is going to be supported and played with and you’re going to be given the time to do things right.” 

In Alice, we learn that at the age of 10, our heroine’s father abandoned the family without warning or word, which led to Alice developing a stong distrust in men. Now, years later, she believes that she has met Mr. Right in her handsome new love, Jack, but, unfortunately, her old demons resurface and she sends him away after rejecting his proposal of marriage. However, when Jack is kidnapped, she follows him and his abductors through a mysterious portal and winds up in Wonderland. Once there, she is forced to put aside her doubts in the opposite sex and ask for help in order to find Jack. 

“What’s cool about playing Alice is that, again, being the eyes of the audience or the everywoman, she gets to interact with everyone because so much of the journey and the adventure is through her experience,” says Scorsone. “Just like in the Lewis Carroll stories, she kind of walks through and meets all these fantastically colorful characters. 

Jack (Philip Winchester) and Alice. Photo by James Dittiger and copyright of The Syfy Channel

“Jack Chase [Philip Winchester] is the dashing young man who Alice opens the story with. He’s her love interest right off the top, and then there’s Hatter [Andrew-Lee Potts], who along with the White Knight [Matt Frewer] become my character’s trusted companions. Hatter is with Alice throughout the entire story and together they have this journey of self-discovery. Everyone she encounters affects her in some way that is a significant part of her transformation. They impact her subtly, and sometimes not so subtly, and act as a catalyst for the change that is happening inside her as a woman.” 

Scorsone could not have asked for a better person to help guide her through her onscreen adventures than Alice writer/director Nick Willing. “Nick is an amazing director for so many reasons, one of which is that he’s very interested in the rehearsal process,” notes the actress. “He makes sure that you have a significant amount of time to rehearse in order to get to know the material as well as the people you’re playing with. 

“So before our first day of shooting, we had, I think, a week-and-a-half to two weeks of intense discussions and rehearsals at the hotel where we were all staying, and Nick’s process is so neat. Usually you get together and everyone sits around a table and you do a read-through of the script and then start filming. What we did, though, was meet, discuss and rehearse, and only after we went through this really intense process did we sit around the table and do a read-through. 

Alice ends up a stranger in a very strange place called Wonderland. Photo by James Dittiger and copyright of The Syfy Channel

“By the time we got to set we were all very familiar with the material and had created trust with each other. So from day one the set has been a safe and creative place to play as well as explore and push the limits of what we thought we could do. Right from the start this has been a pretty magical situation to walk into, where you’re surrounded by people who fully believe in this project and are excited about creating something of value. It’s been one of the most consistently joyful sets I’ve been on. Nick has this incredible ability to keep it light and keep everyone laughing, and at the same time command the respect that you need to get through the really long days and lots of material. And what’s nice, too, is that everyone here is experienced enough to appreciate that.” 

Although the actress and the rest of the Alice cast and crew has spent a great deal of time shooting inside on a soundstage, they have also ventured out quite a bit in and around Vancouver, a place that Scorsone admits to have fallen in love with. “I have this mad fantasy that I’m going to move here and have this beautiful life surrounded by mountains and water,” she says. 

“It’s been so much fun working on-location. We were in Kamloops [British Columbia] for a while shooting in this abandoned sanatorium, and we also went to Golden Ears Provincial Park, which has a beautiful rainforest where the tress are so massive and it’s so damp that they’re completely covered in this lush, dripping moss. We were filming there at five in the morning and there was fog and mist everywhere. It was really quite surreal. There was mist on the water and you were outside of everything familiar to you and in this spectacular place that truly felt like Wonderland. 

Alice finds a friend - and perhaps more - in Hatter (Andrew-Lee Potts). Photo by James Dittiger and copyright of The Syfy Channel

“Then, of course, we’re wearing these incredibly creative costumes and the set dec is unbelievable. So you have all these elements that are adding to the suspended reality that has been created here. It just makes everything so much fun and easy emotionally as well as creatively to enter this world that we’re talking about here.” 

Obstetrician and violinist were among the career choices that Scorsone considered while growing up. Having acted since the age of eight, she stepped away from it a couple of times, including when she was 19 to go to university. While she was eventually drawn back to the business, Scorsone has no regrets about her brief respite from it. 

“I needed to explore what other possibilities there were,” says the actress. “And what’s fortunate is that that exploration led me back to an appreciation of what I’d been doing. I think when you start acting as a child it’s fun, but you haven’t made an actual choice about it. You’ve inherited it, so I had to get away from it and really decide if art was something important to people. So I quit, went to school, got my bachelor’s degree and after that came back into the business with a more mature perspective and have really been appreciating it ever since.” 

Ever get the feeling that you're all boxed in with nowhere to go; Alice sure does! Photo by James Dittiger and copyright of The Syfy Channel

Having begun working on TV in the mid-90’s, the actress has appeared in several made-for-TV movies as well as done guest-spots and recurring roles on such shows as Psi Factor: Chronicles of the Paranormal, Power Play, Crash, The Guard and Castle. She also played the lead character, Jess Mastriani, for three seasons in her own series, Missing. 

“When you’re with a character for that long they become a part of you and you get close to them and feel protective of them,” says Scorsone. “Also, working on that show was a huge learning experience for me. With series TV you’re there every day and all day, it’s long hours and you’re surrounded by a tight-knit family of, in my case, 85. So as a professional, you’re learning a number of skills in terms of your acting as well as technical skills such as the camera, lighting and all the other things you need in your ‘tool bag.’ 

“You’re also learning how to ration yourself energetically along with emotionally and how to work well with others when everyone is tired and hasn’t seen their families for a while and it’s crunch time because you’ve got to get the episode done in 14 hours. So doing that series was definitely significant for me, creatively and in terms of my work ethic as well as professionalism and coming to understand the significance of every single crew member’s job on the set, and only together can we make this amazing thing happen.” 

On the big screen, Scorsone’s credits include Borderline Normal, The Devil’s Arithmetic, The Third Miracle and the upcoming political thriller Edge of Darkness starring Mel Gibson, Danny Huston and Ray Winstone. “I can’t say too much about the story because I don’t want to spoil it,” teases the actress. “But I can tell you that I loved working with Martin Campbell, who’s a fantastic British director. My role is a really cool one, too, and I have a South Boston accent in the movie, which was a fun challenge for me to do.” 

While she might work in an industry that is based on make-believe, it is very much the down-to-earth aspects that make an acting career rewarding for Scorsone. “When you first come onto a project it’s like the Land of the Misfit Toys, where you meet everyone at base camp and it’s all these people who never saw themselves working a traditional 9 to 5 job,” she muses. “For whatever reason, we were all attracted to this nomadic-like, caravan lifestyle where the stories and the challenges are always changing. 

“Everyone is willing to live in this kind of uncertain way where you go from job to job and don’t know what tomorrow will bring. There’s a heart to it as well as a tenacity and a courage that tends to inspire on every project. You get to witness these moments of fantastic humanity at 3 in the morning when it’s freezing cold and everyone is trying to get the shot. There’s a support that everyone throws into the ring for one another when you’re in these unusual situations, and it’s a privilege to be part of such a team.” 

See the conclusion of Alice tonight, Monday, December 7th, from 9:00 p.m. – 11:00 p.m. EST on The Syfy Channel. 

Steve Eramo 

As noted above, all photos by James Dittiger and copyright of The Syfy Channel, so please no unauthorized copying or duplicating of any kind. Thanks!

Alice’s Matt Frewer – Father Figure

Matt Frewer as The White Knight in Alice. Photo by James Dittiger and copyright of The Syfy Channel

From Sci-Fi time traveller to a digitally enhanced artificial intelligence and even Sherlock Holmes, actor Matt Frewer has over the years brought these and many other characters to life in theaters as well as feature films and on TV. There is one role, though, he once longed to play but never had the chance to do so. And it was a role that would have taken him in a totally different direction as far as his professional life.  

“I always wanted to be a pro hockey player,’ says Frewer. “However,  at one point I realized I wasn’t going to be good enough, and if I was good enough, I would probably end up with no teeth, playing on a semi-pro team and talking with a French accent for no apparent reason,” he jokes. “When I finished high school I was all set to do an honors degree course in biology, but I backed out of that at the last minute when my drama teacher said to me, ‘You’d get a lot more girls with acting.’ Well, I was sold,” laughs the actor. “I’m happy to say I have no regrets. I love doing what I’m doing and would do it for free. Don’t tell anyone that, but I would, really.”  

Last night, Frewer made his debut as The White Knight in Alice, the Syfy Channel’s take on the classic children’s story Alice in Wonderland. The image conjured up in most peoples’ minds when they think of his character is one of a noble warrior dressed in shining armor, carrying a lance and riding into battle on a mighty stallion. In this case there is the armor as well as a sword and even a horse, but the medieval melange that is Frewer’s character is far more than just a familiar stereotype  

“The While Knight is kind of a cross between Baron Von Munchhausen, The Cowardly Lion and Don Quixote,” explains the actor, taking a break during filming last summer in Vancouver. “The idea for Alice sounded intriguing to me, and then I was completely sold on it when I read the script. The story, which is absolutely delightful, was written by Nick Willing, who’s also our director, and he has come up with some amazing characters.  

“I have to say that this role has sort of fit me like a glove, so it hasn’t been much of a stretch to play. We’ve got this wonderful Salvador Dali-type beard and mustache that I wear, and that’s been a bit of a challenge, especially when it’s hot out because the glue starts to come loose. So there’s that business of people futzing with you right up until the moment that the cameras start rolling. You being to feel like a Christmas tree being continually dressed,” jokes Frewer, “but other than that the character has been a joy to play.  

Our hero enjoys a laugh! Photo by James Dittiger and copyright of The Syfy Channel

“The White Knight has a huge heart, but he’s a bit mad, you know? He’s nuts and he’s noble, but he also has a big secret, so what he shows to the world is not necessarily who he is. And happily with Nick’s version of the White Knight, my character is able to reveal who he really is during a scene with Alice [Caterina Scorsone], and that was tremendous fun to play on many, many levels.”  

In Alice, the White Knight crosses paths with Alice Hamilton when she comes to Wonderland to search for her lover, Jack Chase (Philip Winchester), who has been brought there against his will. He joins the Hatter (Andrew-Lee Potts) in helping Alice find Jack, and in the process, the three of them also risk their lives to help oust Wonderland’s ruler, The Queen of Hearts (Kathy Bates) and break her stranglehold on the kingdom.  

“The two characters that the White Knight relates to almost solely in the story are Alice and Hatter,” says Frewer. “He comes cross Jack in a couple of scenes, but most of my onscreen time is spent with Caterina and Andrew. There is kind of a begrudging friendship and respect for one another that evolves between my character and Hatter. And with Alice, I think the White Knight is more or less a temporary Wonderland father while she’s there.  

“He is somewhat mesmerized by her because in his eyes, she’s Alice of legend. She’s the Alice who he has heard of and who was written about, and he will do anything for her. The White Knight really is her protector, and as inept as he is, he does his best. Again, this is such an incredible role, and, I think, probably the best role I’ve had since Sherlock Holmes. There are very few iconic characters that come along and that you get a chance to play, and the White Knight is definitely one of them.”  

An unstoppable team - The White Knight, Alice (Caterina Scorsone) and Hatter (Andrew-Lee Potts). Photo by James Dittiger and copyright of The Syfy Channel

What were some of the challenges the actor found working in his White Knight attire? “The first day of work on any new job is usually pretty chaotic, and in this case it was particularly so for me because they had only just begun to put my costume together,” he recalls. “It included a huge breastplate, chain mail and all the various other accouterments that a knight would wear. The breastplate was cumbersome to say the least. We ended up calling it the Volkswagen,” chuckles Frewer. “I then began to realize how hot it was going to be lugging this thing around, especially on-location, because it’s basically like being cooked in your own soup can.  

“So getting all that together is my not-so-fond memory of my first day on the job, but it was still fun, and continues to be. The thing is, a lot of the stuff I thought I’d be able to [physically] do as the White Knight has been somewhat restricted by my outfit, so I’ve ended up, I guess, channeling any restrictions into the fact that my character is an older guy. He is supposed to be in his 60’s and slightly crazy, and that ‘madness’ has come from spending too much time on his own. So we actually found other aspects of his personality to highlight as a result of wearing the armor, and that’s been great.”  

“Again, this has been fun. Typically on these sorts of productions, the work stops and everyone has a laugh, and probably my favorite memory of working on this as a whole is that the laughing has never stopped. We’re always having a good time and hopefully that translates to the audience.”  

Frewer credits the show’s cast and crew, in particular, Nick Willing, with making Alice such a positive experience for him. “Nick is a real visionary,” says the actor. “He’s a little bit like the White Knight in that he’s slightly ‘mad,’ but in a wonderful way, as well as a very warm, gentle, kind and witty guy. That is all an added bonus on top of the fact that he is also a huge talent. You don’t often find that combination.  

Ready to take on anything - the White Knight and Hatter. Photo by James Dittiger and copyright of The Syfy Channel

“Andrew and Caterina are a blast as well to work with. Caterina is a real find for Alice. She’s so much like her character and is an open book. Caterina is, I think, one of those actresses who has such an immediacy onscreen. Whatever scene she’s in, she’s right there and reacts to it immediately. And like I said, her face is an open book, and she’s an extremely tender, sensitive soul and isn’t afraid to show that. Caterina also has this kind of tough curiosity about her. Such a combination is perfect for Alice, and I think she has knocked the whole thing out of the park.  

“As for Andrew, he’s terrific, too. He’s from the north country in England, a place called Bradford, and he has sort of a tough guy swagger, but he’s very sweet as well. I think the girls are going to love him as Hatter. Andrew has this fantastic onscreen chemistry with Caterina, and hopefully audiences will go with that and be rooting for their characters to end up together.  

“There are very few projects where, when you start talking about them, you feel genuinely supportive of them, and this is one of those times. I think Alice is going to do great and I have really high hopes for it.”  

Born in Washington, D.C., Frewer trained at the Bristol Old Vic Theatre School and graduated from its three-year acting course in 1980. One of his very first roles was in the 1983 film Monty Python’s Meaning of Life. “There was a piece before the main film called The Crimson Permanent Assurance and it was sort of a pirate spoof where a group of young office workers were defending their building against a group of older ones,” says the actor.  

“The older office workers would pull up alongside what looked like a Spanish galleon, swing through the windows and take on all the young office workers. One of the older pirate guys corners my character by a window, I yell, ‘S**t!’ and jump out the window. That was my first professional experience in front of the camera. All I can say is thank God for all that classical training,” he jokes.  

The White Knight, dressed for action. Photo by James Dittiger and copyright of The Syfy Channel

A few years later, the actor became a familiar face, of sorts, around the world with his portrayal of a fictional British artificial intelligence in the TV series Max Headroom. “That was kind of a short sharp shock,” notes Frewer. “Originally, Max was meant to be this computer-generated man/video disc jockey and we perpetuated that ‘ruse.’ Then we realized the only way we’d be able to achieve the look and effect of such a character was to put someone in rubber make-up, and that guy ended up being me.  

“Max Headroom started out in England [in a music video program] and then evolved into a talk show. Coca-Cola then picked it up and I did a bunch of TV commercials for [director] Ridley Scott. That then convinced ABC TV [in the States] to feature Max in an adventure series. At the same time, I was doing a Cinemax [cable] talk show along with various other ancillary things as Max. Long way around, what I meant by a short sharp shock is that from beginning to end, the whole Max thing really didn’t last much longer than three years. But Max made the cover of Newsweek, and it was great for me because it meant I was able to arrive in Los Angeles as an actor without having to pound the pavement. I was playing a double-lead in a very high-profile show for ABC, and even though it only lasted for 12 episodes, it was a wonderful introduction to Los Angeles for me.”  

Besides his work on Max Headroom, Frewer has guest-starred on such shows as Robin of Sherwood, Miami Vice, Star Trek: The Next Generation, The Outer Limits and Intelligence. He also had a regular role as Matt Praeger in Psi Factor: Chronicles of the Paranormal, and currently plays the recurring character of Jim Taggart in the Syfy Channel series Eureka.  

Frewer as Jim Taggart in Eureka. Photo copyright of The Syfy Channel

“Again, some lovely people to work with on Eureka and a fun show to do,” says the actor. “My character only dips in and out every few episodes. He’s sort of a weirdo who lives in the woods, and I think whenever he comes to town, by sheer virtue of the fact that he is the weirdo who lives in the woods, the story sort of has to be about him. Jim is an Australian dog-catcher – I mean, you can’t beat that for weirdness – but he calls himself a biological containment engineer. He’s a nature boy, too, and tends to run naked through the woods a lot,” he says with a laugh,”so needless to say I have a ball when I do work on the show.”  

On the big screen, the actor’s credits include The Fourth Protocol, Far From Home, Going The Distance, Dawn of the Dead and Watchmen, playing former super-villain Edgar William Jacob/Moloch the Mystic. “The first scene I shot on that was in a cemetary and I just remember being overwhelmed by the number of crew,” notes Frewer. “You suddenly realize that you’re part of a big-budget movie and being directed by Zack Synder. He’s a lot like Nick Willing in that he has endless positive energy and keeps his crew driven and wanting to perform for him. Zack is one of those rare leaders who has the power but also the wisdom not to wield it. He’s a really amazing guy and I had a ball working with him.”  

The goal of most actors is to be able to practice their craft in as wide a range of projects as possible, and for Frewer, the wider the better. “I think the measure of success for an actor is that you can be on your deathbed – which hopefully comes later rather than sooner – and look back over your career and say that you did plenty of diverse and interesting things, as opposed to how much [money] you took to your grave,” he muses. “After all, what are you going to do? Get a more expensive lining for your coffin.  

“I was trained as an actor to do lots of different things, and that’s what makes this [acting] such a joy for me. You can only hope to be lucky enough to go from doing a heavy drama to something light and comedic and then something totally different from the two. It also helps to be facile and quicksilver-ish enough to be able to slip easily from one role to the next and not pigeonhole yourself because so many people are willing to do it for you.” 

The concluding two hours of Alice airs tonight, Monday, December 7th starting at 9:00 p.m. EST on The Syfy Channel. 

Steve Eramo  

As noted above, all Alice photos by James Dittiger and all photos copyright of The Syfy Channel, so please no unauthorized copying or duplicating of any kind. Thanks!

Alice – The Syfy Channel’s Winter Wonderland

THE Syfy Channel’s contemporary re-imagined spin on Alice’s Adventures in Wonderland will premiere on Sunday, December 6th @ 9-11 p.m. EST/PST and air over two consecutive nights. In this modern day spin on the classic stories by Lewis Carroll, Academy Award-winner Kathy Bates (Misery) stars as the Queen of Hearts and Caterina Scorsone (Crash television series) as Alice.

Kathy Bates (as the Queen of Hearts) and Colm Meaney (as the King of Hearts) in The Syfy Channel's Alice. Photo by James Dittiger and copyright of The Syfy Channel

Rounding out the stellar cast are Tim Curry (Rocky Horror Picture Show) as Dodo, Colm Meaney (Star Trek: Deep Space Nine) as the King of Hearts, Philip Winchester (Crusoe) as Jack Chase, Matt Frewer (Watchmen) as the White Knight, Andrew Lee Potts (Primeval) as Hatter, Harry Dean Stanton (Big Love) as the Caterpillar, Alessandro Juliani (Battlestar Galactica) as 9 of Clubs, Timothy Webber (Taken) as Carpenter, Alex Diakun (Sanctuary) as Ratcatcher, Zak Santiago (Kingdom Hospital) as 10 of Clubs, and Eugene Lipinski (Animorphs) as Doctors Dee and Dum,

For this re-imagined adaptation, writer/director Nick Willing mines the bizarre ingenuity and twisted logic of Lewis Carroll’s work to create a daringly different, boldly colorful and delightfully skewed dreamscape of his own. Willing also directed the record-breaking, Emmy-winning miniseries Tin Man for Syfy in 2007. Serving as Executive Producers for this ambitious new event are Matthew O’Connor and Lisa Richardson from Reunion Pictures, Jamie Brown from Studio Eight and RHI Entertainment’s Robert Halmi and Robert Halmi, Jr.

Danger and adventure await The White Knight (Matt Frewer), Alice (Caterina Scorsone) and The Hatter (Andrew Lee Potts) in Wonderland. Photo by James Dittiger and copyright of The Syfy Channel

Using the classic Lewis Carroll books Alice’s Adventures in Wonderland and Through the Looking-Glass as a jumping off point, writer/director Nick Willing has created the modern-day story of Alice Hamilton, a fiercely independent twenty-something who suddenly finds herself on the other side of a looking glass. She is a stranger in an outlandish city of twisted towers and casinos built out of playing cards, all under the rule of a deliciously devilish Queen who’s not very happy about Alice’s arrival.

As noted above, photos by James Dittiger and copyright of The Syfy Channel, so please no unauthorized copying or duplicating of any kind. Thanks!