Posts Tagged ‘Jewel Staite’

James Bamford – Action Man!

May 13, 2009
Stargate Atlantis stunt coordinator James "Bam Bam" Bamford takes aim on the show's Vancouver, B.C. set. Photo courtesy of and copyright of MGM Studios

Stargate Atlantis stunt coordinator James "Bam Bam" Bamford takes aim on the show's Vancouver, B.C. set. Photo courtesy of and copyright of MGM Studios

James Bamford is looking for a fight today on the Stargate Atlantis set. It’s OK, though, seeing that he is the show’s stunt coordinator. When it comes to one of our heroes duking it out with a bad guy, a Wraith jumping from a dizzying height, or even a guest-star taking a fall, Bamford, or “Bam Bam,” is responsible for making sure everyone knows what he or she is doing and, above all, is safe while doing it. His season five on-set “duties” began in earnest with Broken Ties, in which Ronon Dex once again goes up against his former Satedan friend Tyre, played by Mark Dacascos.

“First off, Mark Dacascos is just a master and a true martial artist,” says Bamford. “He’s not an actor who learned how to fight, but rather a fighter who learned how to act, and is a treat to work with. Having him perform my choreography is truly an honor. I began really early choreographing this particular fight in Broken Ties, and it went on for so long that they [the producers and director] actually cut out almost half of it. The episode itself was over time-wise, which is why we had to edit down the sequence. However, what’s cool is when the season five DVD comes out, you’ll see the entire fight as a special feature. Ivon Bartok [DVD special features producer] followed us around with a camera in the early choreography stages and came to all the rehearsals, so you’ll get to watch a really progressive version of the rehearsal process. And  think the fight on the DVD will be my original full-length version, which I’m excited about.

Bamford sets the stage for a stunt. Photo courtesy of and copyright of MGM Studios

Bamford sets the stage for a stunt. Photo courtesy of and copyright of MGM Studios

“Insofar as the actual choreography, the first challenge was designing a new sword for the Tyre character,” continues the stunt coordinator. “Every martial artist prefers different things about his weapons so I spoke a couple of times with Mark over the phone about dimensions, handle, grip and whatnot for his sword. In the end, he said, ‘Go ahead with whatever you think will work for me, Bam Bam. I trust your opinion.’ So I played around with different swords, and James Robbins [Atlantis production designer] did the conceptual drawing for it. Our model shop then built the actual weapon, and between all of us we came up with a nice, light and yet dangerous looking blade.

“From there, I had to get a stunt double for Mark, who was still down in Los Angeles, and I stepped in as Jason Momoa’s [Ronon Dex] double. Usually what I try to do is figure out the beginning of the fight or how to get into it, and then from there the brain just flows and things unfold organically. Jason wanted to show a growing and then explosion of anger or betrayal at one point in the fight, so I left one section where he could have his own personal stamp. We worked with Jason for a few days, and then Mark flew into town and we started to teach him his side of the fight. We taught him away from Jason, and vice versa. Throughout the rehearsal process, Mark was like, ‘Thank you so much for this wonderful fight.’ He was very complimentary from beginning to end, and when he and Jason finally came together to do the fight they were absolutely perfect. They jumped right into it and it was something to see, that’s for sure.”

Bamford on-set with Jason Momoa (Ronon Dex). Photo courtesy of and copyright of MGM Studios

Bamford on-set with Jason Momoa (Ronon Dex). Photo courtesy of and copyright of MGM Studios

In the season five Atlantis episode Tracker, Ronon and Dr. McKay (David Hewlett) must match wits with Kiryk, a Runner who has abducted Dr. Keller (Jewel Staite) while on an off-world mission. Once again, the stunt coordinator had the opportunity to work with a professional who was well-versed in the art of stunt fighting.

“We had Mike Dopud playing a character named Kiryk, and in addition to being an actor, Mike has worked as a stunt guy as well,” explains Bamford. “His character and Jason’s had two on-screen fights, but I didn’t have access to Jason – he was out of town and not available for rehearsals. I had to put everything together with Jason in mind but not physically there, so I rehearsed with Mike and he did quite well. When we subsequently started plugging Jason into the rehearsals it was just minutes here and there on-set. He didn’t even see one of the fights until the day he got to set, so I had to teach it to him bit by bit as we were shooting. As usual, Jason picked up the choreography very quickly. I showed it to him and the camera was literally rolling five minutes later.

Bamford and company are suited up for action. Photo courtesy of and copyright of MGM Studios

Bamford and company are suited up for action. Photo courtesy of and copyright of MGM Studios

 

Prepping for some on-screen work. Photo courtesy of and copyright of MGM Studios

Prepping for some on-screen work. Photo courtesy of and copyright of MGM Studios

After their six-week-long summer 2008 hiatus, Bamford was back on-set with the Atlantis cast and crew to start work on The Prodigal, an action-packed episode with some intense fights involving the half-human, half-Wraith Michael (Connor Trinneer). “We shot our first big fight sequence on our second day back from hiatus,” recalls Bamford. “So everyone had been traveling about and had to return to work and try to remember some fight choreography.

“I had rehearsed the fight sequences and put the footage on an instructional DVD that I gave to Jason and Connor. Yes, they had that to study, but even though you might have something in your head, it doesn’t give you the actual rehearsal time needed to build true muscle memory. So the actors had very little time to practice and sort of had to go off their memory of the DVD. It’s like learning Kung Fu from a book, which is very difficult unless you’re a master. So the hiatus ate into most of our rehearsal time, but, once again, the actors pulled things off and there are some amazing fights in this episode.

Bamford runs through a fight sequence from "The Prodigal" with Jason Momoa. Photo courtesy of and copyright of MGM Studios

Bamford runs through a fight sequence from "The Prodigal" with Jason Momoa. Photo courtesy of and copyright of MGM Studios

 

Bamford gives his actors some instruction on hand-to-hand combat. Photo courtesy of and copyright of MGM Studios

Bamford gives his actors some instruction on hand-to-hand combat. Photo courtesy of and copyright of MGM Studios

“Following The Prodigal, we went into Remnants, which features a well-known character [Acastas Kolya, portrayed by Robert Davi] that you’ll recognize. At the moment [mid-August 2008] we’re filming Infection as well as prepping for Identity and Vegas. James Robbins, Rob Cooper [Atlantis co-creator/executive producer] and John Smith [executive producer] are actually in Las Vegas doing location scouts for certain scenes. Part of Vegas is set in the desert and there’s some driving involved along with plenty of stunts. Then after that is the season [and series] finale Enemy at the Gate, which should be a lot of fun to do.”

While working on Atlantis, Bamford was asked by writer/director Robert C. Cooper to also serve as fight coordinator for the first made-for-DVD Stargate SG-1 feature film The Ark of Truth. “Ark was a great opportunity for me because I got to work with Robert Cooper, which I love,” says the stunt coordinator. “He writes for himself to direct, and he writes things a little bigger because he knows exactly what he wants to see, so we get to do things on a grander scale for Rob.

Jason Momoa hanging around on-set with Bamford. Photo courtesy of and copyright of MGM Studios

Jason Momoa hanging around on-set with Bamford. Photo courtesy of and copyright of MGM Studios

“I think we had three days scheduled to do the main fight involving Ben Browder [Lt. Colonel Cameron Mitchell], which is way over and above what we usually get. I mean, we usually get four to six hours to do a fight, so three days was fantastic. Because SG-1 is such a well-oiled machine, we managed to get it done in a day-and-a-half, which was terrific. I had previously worked with Rob on [the season three Atlantis episode] Doppelganger, which had a large fight sequence. He enjoyed the choreography that I’d brought to Atlantis and wanted to extend that type of feel and look onto Ark of Truth. Needless to say I had a blast.”

Steve Eramo

As noted above, all photos courtesy of and copyright of MGM Studios, so please no unauthorized copying or duplicating of any form. Thanks!

Jason Momoa – At Home On Atlantis

April 14, 2009
Jason Momoa as Ronon Dex on Stargate Atlantis. Photo by Matthias Clamer and copyright The Sci Fi Channel

Jason Momoa as Ronon Dex on Stargate Atlantis. Photo by Matthias Clamer and copyright The Sci Fi Channel

Some people say it’s the clothes that make the man. In the case of actor Jason Momoa, his dreadlocks are what first come to mind when you think of his Stargate Atlantis alter ego of Ronon Dex. After seven years, he was longing to shed his dreads, especially after they started to become a pain in the neck, quite literally. Unfortunately, because of his work on Atlantis, that was not an option, so a compromise was struck. The actor had his hair cut, but that meant wearing a wig as Ronon, which still had its drawbacks.

“My dreads were giving me neck problems, so I wanted to cut them off,” says Momoa, sitting down in the Atlantis make-up trailer, having finished his working day. “The writers were going to write it into the episode, but one of the gentleman at the network didn’t want me to lose the dreads because he didn’t think I could be Ronon without them. I’m an actor, and I don’t need my hair in order to do my job as an actor. So this [fifth] year I’m wearing a wig,” referring to the man-made hairpiece being removed from the top of his head. “Of course, these fake dreads weigh five or six pounds; they’re heavier than my real ones. What are you going to do,” he jokes.

It was in the Atlantis second season episode Runner that Ronon Dex, and his dreads, became a part of the Stargate universe. In it, he was befriended by Colonel John Sheppard (Joe Flanigan) and Teyla (Rachel Luttrell), who offered him a safe haven in Atlantis. A former military officer in the Satedan army, Ronon’s home world had been invaded by the Wraith. Captured during battle, he was fitted with a tracking device and spent the next seven years being hunted as sport by the enemy. Ronon was forced to keep his distance from other people or risk their planets being culled by the Wraith. So he had his doubts that his time in Atlantis and as a member of Sheppard’s off-world team would last long. Well, he was wrong.

“Each year it just becomes more and more obvious to Ronon that Atlantis is his home and that he’s comfortable being there,” notes Momoa. “That became even clearer to him after the story this year [Broken Ties] where he experiences that huge change. Relationship-wise, this season we picked up on my character kind of liking Dr. Keller [Jewel Staite], and you get a glimpse into his jealous side because McKay [David Hewlett] feels the same way about her. And as we know, Ronon doesn’t like to lose. We don’t get to touch on that too much, though, which is a bummer because it would have been nice to see him rub it in McKay’s nose just a little bit,” chuckles the actor. “We have one tiny scene in the episode we’re currently shooting [Infection], but that’s it.

“At least we get to see the softer side, I guess you could call it, of my character,” he continues, “just like we saw his darker side in Broken Ties. Now I would have liked to have seen that continue a little longer. I wanted him to stay evil for maybe a couple of episodes, but they [the producers] decided to resolve the issue by the end of the story, which didn’t leave time for a great deal of angst. You did, however, get to see a lot of his vulnerability and him having raw power. That was probably the strongest Ronon has ever been, being all cracked out on that [Wraith] enzyme. Then his friends took that away from him, and he subsequently begs to be killed.

“As an actor, I had the opportunity to go to a couple of places I’d never been before, and that was so much fun. You don’t get to do something like that on most TV shows, or for that matter in real life. For Ronon, it was like being on heroin times 10, and since it’s a make-believe drug, you can really go with it because who knows what it does to you. That was neat. So there’s been plenty of stuff and a lot of new colors for me to play this year as far as Ronon is concerned.”

When Ronon first came to Atlantis, Dr. Elizabeth Weir (Torri Higginson) was in charge of the expedition from Earth. When she became a prisoner of the Replicators, Stargate SG-1‘s Colonel Samantha Carter (Amanda Tapping) took over those responsibilities. In Atlantis‘ fifth season, the colonel was reassigned by Earth Command, and International Oversight Authority (IOA) representative Richard Woolsey (Robert Picardo) arrived in the Pegasus galaxy to take his turn in the responsibility seat.

“Woolsey has been good for my character in a shake-up sort of way,” says Momoa. “I mean, Ronon has a problem with authority in general. The reason he and Sheppard get along so well is because of mutual respect. He’ll loosely do what the colonel asks just because he trusts him and knows that Sheppard will watch his back. As for any outside authority, Ronon isn’t thrilled with it. He’s treated Woolsey like he treated Weir and Carter when he initially met them, and I think episode after episode they’ve become friendlier and friendlier. Woolsey treats Ronon with a lot of respect and their relationship is one of boss and employee. He doesn’t really understand Woolsey, but that’s OK because it’s what makes things interesting between them.”

Ronon pitches in to help save his colleague Rodney McKay's life in season five's "The Shrine." Photo by Eike Schroter and copyright The Sci Fi Channel

Ronon pitches in to help save his colleague Rodney McKay's life in season five's "The Shrine." Photo by Eike Schroter and copyright The Sci Fi Channel

Speaking of relationships, is Momoa pleased with how the one between his character and Jewel Staite’s has been written? “Absolutely,” he says. “I like that he’s fighting over someone who he might not necessarily like in a romantic sort of way. It’s not clear if he likes her because McKay likes her. It’s left to the audience to figure things out. Again, it’s nice, but I don’t think he should be with Keller. It was fun to have a couple of stories this season where there could have been something with them, but ultimately, no one wants to see Ronon with a woman. It’s like Samson losing his hair, you know? Once Ronon gets involved in a relationship he’ll lose his ‘powers’ if you will. That’s the way I’ve always thought of it. Having said that, there’s an episode towards the end of the season where you see another potential love interest for my character.”

One of the season five episodes that has both Ronon and Dr. McKay “competing” for Dr. Keller’s attentions is Tracker. In it, the physician is kidnapped while off-world by Kiryk (Mike Dopud), who, like Ronon, was turned into a runner by the Wraith. He needs Keller’s help to save the life of a little girl who was injured during a Wraith culling of her village and is not about to let either Ronon or McKay get in his way.

Tracker was fun because it was just me and David Hewlett, and working with him is always a pleasure as well as laughs and good times,” enthuses Momoa. “Our two characters are good together because they’re obviously brains and brawn, and now this year they’re fighting over Keller and it’s been great to feed off of that.

“I have to say, too, that Mike Dopud, who played Kiryk, does a terrific job in the episode. He’s a fantastic actor and we had such a good time working with him. Like Mike’s character, Ronon brought death upon an entire village because of the Wraith, so my character is able to relate to him on that level. However, they’re two testosterone-driven don’t-show-any-emotion guys, but they do share one tiny moment of understanding in the episode. I’m really pleased our writers did something like that, rather than having Ronon put the blinders on and have him just seeing red because this Runner took someone who he loves and respects. It would have been neat if they were able to bring back Mike’s character and have him and Ronon take on some Wraith together.”

Ronon and his teammates could have used someone like Kiryk to help them in the aforementioned Infection, where our heroes board a Wraith hive ship that, along with its crew, is suffering from a strange sickness. “In this episode, the Wraith we’re dealing with no longer have feeding openings on their hands,” explains Momoa. “So they have to eat using their mouths, and they have these really nasty, ugly faces and teeth, which we get to see. Ronon and the others are stuck on a hive ship with a bunch of freakin’ hulking eating machines, one of whom bites my character and gets his head blasted off. Our guys have to team up with Todd the Wraith [Christopher Heyerdahl]; they unfreeze him from stasis and he helps us.

“Andy Mikita is directing Infection and he’s one of my favorite directors. It’s very much a collaborative process with him. Sometimes it can be difficult to convey your ideas to a director, and Andy is really cool about it. I’ve always found him to be like a father figure. You can shoot the breeze with him. He’s very down-to-earth and that’s what I like about him.”

"Go ahead, make my day!" Ronon sets his sights on yet another bad guy in the season five episode "The Lost Tribe." Photo by Eike Schroter and copyright The Sci Fi Channel

"Go ahead, make my day!" Ronon sets his sights on yet another bad guy in the season five episode "The Lost Tribe." Photo by Eike Schroter and copyright The Sci Fi Channel

No stranger to series TV, Momoa was a regular on Baywatch Hawaii and North Shore before being cast on Atlantis. It seems, though, that his time playing Ronon Dex has had the most impact on him and allowed him to further stretch himself as an actor.

“I’ve been with this role for four seasons, and at the end of my first year playing him I really began to grasp the character, so much so that now it’s easy to slip into,” he says. “As far as the action goes, it’s a lot easier than it used to be. I mean, I’ve been walking in these shoes for a long time, and I’m going to be a little sad when this show ends and I’m not playing Ronon. I’ve never really felt that way before. This is the hardest role I’ve ever had. There’s no way that I relate to most of the stuff he does, but I really like Ronon and I think the writers have done a good job with him. Sometimes it’s hard not having much to say as my character, but, hey, that’s Ronon, so I’ve had to let go of that.

“When it comes to the acting, I’ve learned a great deal on Atlantis. I get really nervous on-camera, so I’ve tried to relax and slow down. This season I’ve had the chance to go much deeper into this character and really experiment with him. Broken Ties was a huge breakthrough for me, especially when it came to the scenes where I cried. I find it very difficult to cry, and as an actor you have to look inside yourself as much as possible and be aware of your emotions. Thank God I got to work with [director] Ken Girotti on Broken Ties, who’s incredible. He got me to relax and would say to me, ‘You know you can do this.’ When you’re on-set and, for example, the lighting people are doing their thing, the camera guys are moving the camera into place, and someone from make-up is powdering your face, it’s hard to channel your emotions. It takes a lot of practice, and I’m not good at getting all emotional and crying.  Ken just came up to me and said, ‘Jason, you know what you want to do. You’re there, just relax.’

“When I heard Ken tell me to relax I thought, ‘OK, just breathe into your stomach and listen for a second to what he’s saying.’ When that one word [relax] hit me, it was just awesome. That’s where you think, ‘This is why I do what I do.’ I’ve had times in my career where I’ve been able to stretch myself acting-wise doing those types of scenes. Action helps that entire process because it throws you into that particular moment. As far as the acting, though, when you get to just perform and do your thing, that’s when you truly realize why you love your job so much.”

Steve Eramo

As noted above, all photos are copyright The Sci Fi Channel, so please no unauthorized copying or duplicating of any fashion. Thanks!