Posts Tagged ‘Peter Petrelli’

Heroes’ Jack Coleman – Noah’s Arc

May 3, 2010

Jack Coleman as Heroes' Noah Bennet. Photo copyright of NBC

Heroes‘ Noah Bennet (a.k.a. Horn-Rimmed Glasses or H.R.G.) seemed to have it all – a comfortable home, a loving wife and children, and a steady job with Primatech Paper Co. Most people, however, had no idea he was living a double life and that Noah’s actual work involved tracking down and imprisoning evolved humans for a mysterious organization known as The Company. 

His daughter, and an evolved human, Claire, eventually finds out her father’s secret, and in the show’s third year, Noah’s wife Sandra and son Lyle discover that he is now doing the same type of work for the U.S. government. Sandra decides to leave Noah, who, at the end of the season, helps “kill” one of the most dangerous evolved humans ever, Sylar, or so he thinks. 

In the season four opener Orientation, he is asked to once again help get rid of Sylar, who is, in fact, still alive, but Noah refuses. Meanwhile, his own life is in danger from Tracy Strauss, who uses her ability to control and freeze water to try to drown him in his car. That scene turned out to be quite a memorable start to the season for actor Jack Coleman, who plays Noah. 

Noah and Tracy Strauss (Ali Larter) - unlikely allies. Photo by Adam Taylor and copyright of NBC

“I did another interview where I mentioned that the [fourth] season starts as well as ends in a flood for Noah, so there is a nice symmetry to it all for me and my character,” muses Coleman. “That scene in Orientation got my attention as soon as I read the description of it in the script, which was something like, ‘H.R.G. gets into his car, turns on the ignition and the car is flooded with water up to and then over his head, then cut to commercial.’ 

“I thought, “Is H.R.G. going to live? It’s going to be interesting to see what happens.’ They [the show’s producers] had already told me that this scene was coming, and the actual shooting of it was a lot of fun as well as challenging and one of those things you get to do on a show like Heroes that’s just really cool. They had these big hoses coming into the car vents, and literally on the cue of my turning on the ignition, the water gushed into the car. It came in with such force that it knocked my glasses off, and in 10 or 15 seconds the car interior was filled with water. 

“So it was very intense, but a blast. They took good care of me, too, and I was never in any danger.” 

Almost being drowned is just a small part of Noah’s life being turned upside-down at the start of Heroes‘ fourth year. Now living alone, his wife divorcing hm and his daughter Claire (Hayden Panettiere) trying to start a new life for herself  at college, this onetime “company man” has reached a personal as well as professional crossroads. Noah begins to reevaluate what is and what is no longer important to him, including his involvement with evolved humans. This was a side of his character that Coleman enjoyed having the chance to explore. 

Noah's life begins to take some unexpected turns in "Orientation." Photo by Justin Lubin and copyright of NBC

“I liked the idea of redemption and H.R.G. taking stock of his life and deciding that all the time he’s been bagging and tagging [evolved humans], he hasn’t really helped others very much,” says the actor. “I was curious to see where that would go and I think it’s kind of cool that by the end of the season he does get to help other people without shooting them or in any way harming them. 

“As for Noah’s and Sandra’s divorce, again, I’d heard that that would be happening, and I was surprised that it was essentially a fait accompli when the season starts. I thought it was going to unravel as we went along, but basically it had unraveled and the writers had done that pretty well last year where Sandra could no longer trust Noah. You get to a point where you stop giving someone another chance, and she had reached that point with Noah, and understandably so. 

“I always liked the family unit and I loved working with Ashley Crow [Sandra Bennet]. I think it made a certain amount of sense just in terms of mixing things up from season to season and focusing on a guy like Noah, who thought he was doing all this for his family and to protect them. When, however, you take that family away, you get to see who he really is and the soul-searching that my character has to do. I think that’s what’s been different this year for me. 

Noah and Sandra Bennet (Ashley Crow). Photo by Justin Lubin and copyright of NBC

“At the beginning of the season, Noah found himself in a fairly quiet, reflective, contemplative place. He was trying to figure out if all the years of rationalizing why he has been doing all this really added up to anything meaningful. And I think he finally realized that it did not. A leopard can’t change its spots and Noah is who he is, but at least there’s room in him for growth and self-examination, which I enjoyed having the chance to do this season.” 

Despite Tracy’s (Ali Larter) efforts to drown him, Noah is saved by Danko (Zeljko Ivanek), a former senior government agent who he worked with when hunting evolved humans. Noah and Tracy later meet, and she tells him that he is one of the former “Company” employees who she has vowed to kill. He then does something, though, that changes her mind about him, so much so that the two join forces to save another evolved human named Jeremy Greer (Mark L. Young) in the season four episode Strange Attractors

“I liked that early on there was a very wary but slowly building friendship between Tracy and Noah,” says Coleman. “Obviously she was very suspicious of my character, and because she had the ability to kill him at any time, he was wary of her as well. In Orientation, Noah saves Tracy from Danko with some help from Jimmy Jean-Louis’ character of The Haitian, who erases Danko’s memory of Tracy so that he is no longer chasing after her. 

Danko (Zeljko Ivanek) and H.R.G. in the episode "An Invisible Thread." Photo by Trae Patton and copyright of NBC

“About three episodes into season four, things between Tracy and Noah begin to thaw, to the point where he calls on her to go with him to this town to try to save this kid, Jeremy. The episodes leading up to that were pretty dark as well as a little disturbing, and Mark Young, who played Jeremy, was great in the role. I just remember there being some very intense scenes, several of which we shot at night in that town. Prior to this I hadn’t worked much with Ali Larter, and I enjoyed getting to do that.” 

In the Heroes‘ fourth season episode Ink, Noah is surprised to find that Claire’s college roommate Gretchen (Madeline Zima) knows about her regenerative powers. When he suggests that The Haitian erase Gretchen’s memory of this, she refuses, telling Noah that she will handle it. Claire longs to lead a normal life out in the open, so much so that she considers an offer by Samuel Sullivan (Robert Knepper), the leader of a travelling carnival, to join his group of evolved humans. Unbeknownst to Claire, he has an ulterior motive, but Noah is looking out for his daughter and resolves to bring Samuel down. 

“It was interesting to watch the way that Samuel woos Claire to come join his carnival and find a new family and be able to live openly,” notes Coleman. “That was all very appealing to her, but then you realize that he’s not telling the whole truth. Samuel comes out and says, ‘It’s not really Claire that I’m after,’ and I think that’s when he’d made up his mind to make my character the fall guy in the grand plan that he has. 

Noah Bennet and his daughter Claire (Hayden Panettiere), an unstoppable father/daughter team! Photo by Adam Taylor and copyright of NBC

“Noah already has this reputation of hunting ‘specials’ [evolved humans], so in the episode The Art of Deception, Samuel sends Eli [Todd Stashwick] up into the hills above the carnival and has him shooting at his own kind, which he blames on my character. As a result, all of Samuel’s people coalesce around him, and it suddenly becomes apparent that this was his intention all along – to lure H.R.G. to the carnival and set him up as his straw man in order to rally the troops all around him. 

Art of Deception was directed by S J Clarkson, this wonderful English director who we’ve worked with now a couple of times. It was almost all night shoots and it was hard on everybody because we were outside and it was getting cold and there was a ton of rain. So it was a tough one to shoot, but our director did a great job. I thought that Lydia’s [Dawn Olivieri] death was nicely handled and I loved the kiss that Samuel gives her. In doing so, he lets her know that he’s orchestrated this whole thing. It’s a macabre scene because as she lies there dying, Samuel is essentially telling Lydia that he’s been deceiving her. There is some sadness to it, too, and a really good set-up for the next couple of episodes.” 

Claire discovers a great deal about her father’s past, including his reason for agreeing to work for The Company, in the penultimate season four episode The Wall. This story also has Peter Petrelli (Milo Ventimiglia) and Sylar (Zachary Quinto) trapped in a telepathic world of Matt Parkman’s (Greg Grunberg) making. 

Noah, Claire and Peter Petrelli (Milo Ventimiglia) in "Upon This Rock." Photo by Chris Haston and copyright of NBC

“Allan Arkush directed The Wall, and he was a director as well as executive producer on Heroes for the first three seasons,” says Coleman. “He directed [season one’s] Company Man, among other episodes, and Allan came back to direct this one. So it was a pleasure to work with him again, and I got to do all the flashback scenes where I was a little nervous about looking like David Hasselhoff in Knight Rider,” jokes the actor, “but those scenes ended up being both appropriate and looking good. 

“Flashback scenes like that are always challenging because you’re supposed to look 28 years old again, and that isn’t always easy. We shot everything in black and white and I got to work with Eric Roberts [Thompson], which I thoroughly enjoyed. Then we had all the scenes in the House of Mirrors where Damian [Harry Perry] shows Claire all these bits of Noah’s past. This is Samuel’s last ditch effort to bring her over to his side, which, of course, fails. 

“I also thought the scenes in The Wall with Zach and Milo were really good. It’s impressive any time you have downtown Los Angeles or any downtown metropolis vacated except for the last two people on Earth. When I first read the script I wasn’t sure whether or not all that passage of time was going to come across and if you’d really get a sense that these guys felt like they’ve been trapped in this world forever. All that played out incredibly well and Zach and Milo did some terrific stuff together.” 

Things will never quite be the same for Claire and her father as they enter a "Brave New World." Photo by Chris Haston and copyright of NBC

Towards the end of The Wall, Samuel traps Noah and Claire in a trailer and uses his ability to manipulate geological materials to sink it deep below the Earth. Although Claire’s lungs will regenerate over and over, Noah will eventually suffocate and die. Lucky for them, Tracy comes to their rescue in Heroes‘ fourth season finale Brave New World

“One of my strongest memories from that episode is the flooding that you see come our way,” recalls Coleman. “As I said before, there’s the symmetry of almost perishing by water at Tracy’s hands in the season opener, and then being saved by water at Tracy’s hands in the season finale. The thing that sticks with me the most, though, are all my scenes with Hayden in the souvenir trailer, which is supposedly buried 40 feet blow the Earth’s surface. The two of us spent several days working in this little trailer on a gimble; it was dark, dusty and dirty, but we had some really amazing scenes, and Hayden is just so good in them.” 

When Heroes debuted, H.R.G. appeared on the surface to be one of the bad guys, and while the show’s writers as well as Coleman could have easily focused on that, they instead chose to dig deeper. “One of the true joys of playing this character is that he is multifaceted, and there’s been a lot of development with him,” says the actor. “Noah was a true believer when we first met him. He was a company man and sold on The Company’s mission and what he was doing. He could justify anything and took a great deal of pleasure in his sometimes dirty work. 

Noah calls on Tracy Strauss for help at the end of Heroes' fourth season. Photo by Adam Taylor and copyright of NBC

“As time went on, my character began to question The Company and what it was up to and what it was going to do. Then, however, by the first season episode Company Man, you see it all really pivot. You suddenly know for sure that Noah has actually been trying to hide and protect his daughter rather than harvesting her or whatever other theories people out there had, because no one was quite sure what his intentions were. At that point, though, I think you realize without a doubt that Bennet really does love his daughter as well as his family and is trying to keep them safe. 

“Then he goes on the mission to try to bring The Company down, and that leads into the second season and all that betrayal at the hands of Suresh [Sendhil Ramamurthy],” continues Coleman. “So Noah goes from true believer in The Company’s work, to trying to bring it down, and then just doing his best to keep a low profile and out of sight. In season three, he’s essentially forced into doing all this work for The Company to keep it off his family’s back. They try teaming Noah up with Sylar and do all these other kind of crazy things that bring him back to his old hunting days, but he’s doing it under duress in order to keep his family safe. So you see him kind of careening back and forth between family man to secret agent to man without a country where he’s on the lam and he can’t trust anyone. 

“And in season four, again, he takes stock of everything and tries to figure out whether or not what he’s done has amounted to much. Noah comes to the conclusion that it hasn’t. As I said, it’s hard for the leopard to change his spots. There are parts of my character that will always be Machiavellian. He’s always going to have claws and fangs and remain a dangerous person. But I think that Noah has gone from being a man with very little conscience, to someone with a conscience who actually tries his best to help people.” 

Noah and Suresh (Sendhil Ramamurthy) in the episode "1961." Photo by Adam Taylor and copyright of NBC

There has been no official word yet if Heroes will return for a fifth season this fall, but if all goes well and it is renewed, what are Coleman’s hopes not only for his character but also the series as a whole? 

“That’s a good question, and a tough one,” he says. “I’m not entirely sure that I could tell you where I’d like Noah to go and where I want the series to go. I don’t have a pat answer and would have to think long and hard about that. 

“I do think that the series is in its comfort zone or sweet spot if you will, when it keeps its focus squarely on characters and relationships and have the story develop from there. Keeping our characters consistent, which we got back to this season, and seeing them making their decisions justifiable and understandable is, again, extremely important. And I think they’ve done a very good job of that this year. We’re probably going to need a new big bad, and you see at the end of this season’s finale that Claire leaves little doubt as to who and what she is. The episode is called Brave New World, and so what happens in this brave new world when she essentially outs herself along with everybody else who has these powers. It’s pretty fertile ground for storytelling, and I’ll leave that up to those with the word processors.” 

Reluctant "co-workers" Sylar (Zachary Quinto) and H.R.G. in season three's "Angels and Demons." Photo by Adam Taylor and copyright of NBC

Heroes is just the latest entry in Coleman’s long and varied list of acting credits. Longtime fans will remember him as Steven Carrington in the hit ABC nighttime soap Dynasty. Other work includes roles in such series as Nip/Tuck, CSI: Miami, Without a Trace and Entourage as well as a number of made-for-TV movies and feature films. The actor has managed to maintain an ongoing presence in front of audiences over the years, which is not as easy at it sounds. 

“This industry is tough and it’s getting tougher, and as you get older it gets a million times tougher,” explains Coleman. “The availability of jobs and the outlook for continued employment is far greater if you are in your twenties or thirties then it is when you’re in your fifties. So the fact that Heroes and such a great character like Noah came along at a time in my career where I could have easily just gone out to pasture is incredibly rewarding. It’s also been a show that I’ve really enjoyed doing and with people who I enjoy working with. 

“When these unexpected things come out of nowhere, you say to yourself, ‘Wow, it can happen again,’ and it can happen at a time when you least expect it. The thing is, though, you need to really keep working at it and kind of refuse to go away. I think it was Woody Allen who said, ‘Ninety percent of it [acting] is just showing up.’ So persistence has a great payoff, and being able to keep a career vibrant and viable at a time when it’s very easy for it to dry up is one of the great joys of this industry.” 

Steve Eramo 

As noted above, photos by Adam Taylor, Trae Patton, Justin Lubin or Chris Haston and copyright of NBC, so please no unauthorized copying or duplicating of any kind. Thanks!

Heroes’ Greg Grunberg – Man On A Trapeze

January 27, 2010

Greg Grunberg as Matt Parkman in Heroes. Photo copyright of NBC

Do you know the old saying, “No good deed goes unpunished?” It is one that Matt Parkman perhaps should have heeded at the end of Heroes‘ third year. The good-natured and often put-upon law enforcement officer, who also happens to possess telepathic powers, thought he finally had the chance to start a normal life with his wife Janice and baby son, Matt Jr. Then, however, Noah Bennet and Angela Petrelli talked Matt into using his ability to help them get rid of Sylar. As a result, Matt not only wound up with a guilty conscience, but, at the start of season four, Sylar’s psychotic consciousness stuck inside his head as well. Yes, it was yet more angst for our reluctant hero to contend with, but Greg Grunberg, who plays Matt, readily embraced the new acting challenge. 

“Well, first of all, the end of season three was exciting for me because suddenly Matt was the one who they turned to in order to level Sylar, which was awesome,” enthuses Grunberg. “I love how we play things on this show, in that most of the time they’re character-driven and we try to keep it that way. So going into this particular story arc, I knew it would be good. However, Matt wasn’t happy about doing this. It was something he had never done before and he knew there would be repercussions. Although he was thrown into this, it was also something he chose to do. And, of course, when we’re burning the body [in the third season finale An Invisible Thread], Matt knows it’s not really Sylar, and he’s carrying that secret with him. 

“Then at the beginning of season four, when Angela [Christine Rose] calls Matt and says, ‘Things didn’t go as planned; we need your help again,’ it’s like, crap! He’s not happy about it and doesn’t want to go back. Once again, all Matt wants to do is try to lead a normal life, which is exactly what inspired Tim Kring [Heroes executive producer] to create this show after he saw [the feature film] The Incredibles. The thing is, no matter what you try to do, when you’re ‘special’ and have these powers, you’re going to get called upon, and when push comes to shove, you’re going to have to step up to the plate. As much as Matt tries to go back to that normal life, he can’t. He always gets pulled back into this one. 

“There are themes in Heroes that are very consistent and, as this season has gone on, the focus for my character is that he will do whatever necessary to protect his family. This goes back to season two and what happened with Matt’s father [Maury Parkman, played by Alan Blumfeld], which was a powerful moment for my character. Matt realized that his father had all this power and did whatever it took in order to save their family. But then Matt had to take him down. This year, it’s another powerful moment for Matt when he realizes, ‘By killing myself, I’ll kill Sylar [Zachary Quinto], because if I don’t, he’s going to go on killing people, maybe even my own family.’ So towards the end of this season you’re going to see Matt do some really dark things that you wouldn’t expect from him.” 

With Matt's (Greg Grunberg) help, Noah (Jack Coleman) and Angela (Christine Rose) prepare to carry out their plan to deal with Sylar in "An Invisible Thread." Photo by Trae Patton and copyright of NBC

Turning down Angela Petrelli’s request for additional help in the season four Heroes opener Orientation, Matt is shocked when Sylar appears, but only he can see him. In the following episode, Jump, Push, Fall, Sylar tells Matt that he is part of his mind and has no intentions of leaving until he is reunited with his body. Matt tries to ignore Sylar, but the psychopath’s relentless taunting starts to adversely affect him. Sylar’s hold on Matt strengthens when, in Ink, he uses Matt’s powers against him, causing the detective to almost beat a suspected drug dealer to death. 

“What I love about this story is that Sylar consciously or subconsciously tapped into Matt’s darkest and biggest fear, which goes back to my character discovering Molly,” explains Grunberg. “It really mirrored what happened back in season one when he found the little girl under the stairs, but this time when Matt found her, she was dead. That was something Sylar tricked him into seeing. For a second, Matt let his guard down when he and Sylar are in the bathroom and Sylar says to him, ‘Look at this house. I mean, you’re a cop. I don’t know any kid who you would raise in a house like this.’ Then he shows Matt the doll and he’s like, ‘Put it all together.’ 

“There are so many moments of huge suspension of disbelief in our show, but this is not one of them. Here’s a cop trying to do his job and being nagged by an image and a person only he can see and hear and who’s giving him clues he can’t ignore. Matt has to deal with this, which was really great for me acting-wise, and it was hard, too. The stuff I do on the show is difficult because I always try to play it as real as possible. However, if you were talking to someone and suddenly they tilted their head and looked at you funny, you couldn’t help but comment on it and ask, ‘What’s the matter?’ So there’s that fine line of Matt talking to Sylar and at the same time trying to keep other people from noticing he’s doing so. Those sorts of complex scenes are always so interesting as well as fun to do.” 

Matt contemplates his next move in "Ink." Photo by Chris Haston and copyright of NBC

Matt is about to lose his cool with Jimmy Keppler (Daniel Newman) as Sylar (Zachary Quinto) looks on in "Ink." Photo by Chris Haston and copyright of NBC

Was it hard for the actor to shoot the scenes in which Matt physically abuses his suspect, Jimmy Keppler (Daniel Newman)? “Yes and no,” says the actor. “I mean, we all have our rage, and if I want I can get to a dark place pretty quickly. Years ago I did an episode of NYPD Blue and I learned something from Dennis Franz [Detective Andy Sipowicz]. He drowned my character in a bar sink, and when we did the scene, he was getting super-physical with it. I remember saying, ‘Dennis, I’ve got it. I’ll go down and you can just put your hand on my head.’ He said to me, ‘Look, man, when they roll the cameras, I bring the evil.’ I thought, ‘Wow, what a great line.’ Obviously, Dennis did it in a way that he wasn’t hurting me, but he was just saying that he really embodied his character. 

“So in Heroes it ended up not being too tough for me to take everything I had out on this guy. For Matt to come in, realize, oh, my God, she’s dead, and then just ramp it up as he’s walking towards this guy and yelling, ‘What did you do to her!’ was terrific to play. From the camera angles, what’s interesting is that the slaps and punches were a foot-and-a-half away from the other actor’s [Daniel Newman] head, but it still really looked violent. In-between scenes, they [the make-up artists] came in, added [fake] blood and then we carried on, so it turned out great.” 

Along with Ink, another favorite episode for the actor to have worked on this season is Strange Attractors in which Matt thinks he has found a way to suppress Sylar’s influence on him. “There’s one scene, in particular, where Matt is packing to leave and Sylar is in the room with him, but Matt’s wife Janice [Lisa Lackey] doesn’t know Sylar is there,” says Grunberg. “She asks Matt, ‘Where are you going?’ He tells her, ‘I’ve got to get out of here.’ Matt then explains to Janice what he did [with regard to Sylar]. Janice offers, instead, to leave and take the baby somewhere safe, and Matt says, ‘Sssh, he’ll hear you. Don’t tell me where you’re going so he [Sylar] won’t know.’ Here’s a guy who is about to go crazy and his wife who loves him seeing that craziness building inside him. I love that scene. 

Fighting to be your typical, average family - Matt, Matt Jr. and Janice (Lisa Lackey). Photo by Chris Haston and copyright of NBC

“Also in this episode is Matt out-drinking Sylar, which is kind of cool. Some people made the comment, ‘It’s that easy. You just go and get drunk,’ but if you stop and think about it, no, it wasn’t that easy. Matt got inside Sylar’s head and found a weakness. He discovered what really meant something to him and took advantage of it. So it had layers to it, but on the surface it was like, oh, that’s all it takes to get Sylar to disappear from your head. Just drink until you pass out. 

“So I thought that was interesting, but the scene with Matt and Janice, going into it, I didn’t see it being as deep as it turned out to be. When, however, she looked at me, and it was her looking into her husband’s eyes and [reassuringly] going, ‘Ok, ok,’ but meanwhile thinking, ‘Dear God, I’m losing him,’ that was wonderful to play. 

“With this show I feel like I’m working on a trapeze with the strongest, safest, softest and most comfortable net below me because Tim Kring, Dennis Hammer [executive producer] and all the writers and editors are just so good. I can do something and know, OK, it’s on film and, yes, perhaps the network will see a take that I’m not thrilled about, but you’ve got to be willing to take chances to come up with some great stuff. You can’t second-guess yourself and think, ‘Maybe I should try this, but if I do it might not work.’ Who cares? Just do it. It’s only film, and with film they’re only going to use what works. But you’ve got to trust the people making those decisions, and I do.” 

Matt and Sylar are confronted by the police outside the Burnt Toast Diner in "Shadowboxing." Photo by Trae Patton and copyright of NBC

Unfortunately, Matt’s drinking is only a temporary solution to his problem. At the end of Strange Attractors, Sylar retaliates by taking over Matt’s body, and in the following episode, Shadowboxing, Sylar goes off in search of his own body. He ends up at the Burnt Toast Diner, where Matt reveals to Sylar that he, Noah (Jack Coleman) and Angela “transformed” him into Nathan Petrelli (Adrian Pasdar). While at the diner, Matt uses his power to make Sylar unwittingly write down on a napkin that he has a gun and he’s going to use it to kill everyone. Sylar then hands the napkin to a waitress, and when he eventually walks outside, the police are waiting. Matt tricks Sylar into pretending that he is taking a gun out of his jacket, forcing the police to shoot him. 

Matt uses his powers to "persuade" Sylar to act in a threatening manner towards the police in "Shadowboxing." Photo by Trae Patton and copyright of NBC

“For that scene, Zach and I each had 12 squibs on us,” recalls Grunberg. “I’d never had that many squibs on me before. I’ve been shot on Alias as well as in movies and the most I’ve ever had is four squibs, which is a lot of explosive charges to have on your chest. So we did the scene and Zach gets shot, then I step in and get shot, but they never showed Matt getting hit. They only showed my character lying on the ground with blood around him. Sylar was the only one who you actually see taking the bullets. In my mind I thought they were going to do a fade-across dissolve [shot] where it would show Sylar getting shot and then, as it fades, it’s Matt being shot, but they didn’t do that. 

Matt intends to sacrifice his own life by goading the police into shooting Sylar in "Shadowboxing." Photo by Trae Patton and copyright of NBC

“I remember watching the scene when I was doing looping for the episode, and I called Tim and asked him, ‘What happened? I’m not getting shot.’ And he said, ‘What are you talking about? Sure you are.’ In fact, they had made a decision in the editing room, which Tim had forgotten about, and that was they wanted to make it seem like Sylar was really gone. Had they shown me being shot, there might have been a question in some peoples’ minds that, oh, maybe it was just Matt who got shot and Sylar didn’t die. I thought, ‘I went through all those squibs and they didn’t even show it,'” chuckles the actor. “Stuff like that, though, is like playing cowboys and Indians. It’s a dream for anybody, let alone an actor, to do something like that, and I had a ball.” 

Poor Matt is down for the count in "Shadowboxing," but only temporarily. Photo by Trae Patton and copyright of NBC

Peter (Milo Ventimiglia), Matt, Nathan (Adrian Pasdar) and Sylar have an unexpected reunion in "Brother's Keeper." Photo by Chris Haston and copyright of NBC

Lucky for Matt, Peter Petrelli (Milo Ventimiglia) comes to the hospital in Brother’s Keeper and uses his replicated power to heal Matt. However, his “brother” Nathan (a.k.a. the transformed Sylar) is with him and, during a fight between him and Peter, Nathan brushes Matt’s hand. Matt suddenly finds himself back in his body and, apparently, Sylar has returned to his own body as well. Despite his character’s life and death struggle, Grunberg did not mind having Matt share his mind with Sylar. 

“Knowing I was going to be working with Zach as much as I did was a treat,” he says. “He’s the greatest. Zach and I have known each other for a long time and we’re very close, so right away I knew that this was going to be fantastic. And we have a shorthand with each other where we step on each other’s lines. I do the same thing with Adrian and a bunch of other actors on the show because we’re so familiar with one another. 

“At the same time, Zach has a really specific quality to his character and I wanted to try to embody that in certain things I did. In the airport scene [in Shadowboxing] where Sylar takes over Matt’s body, I suddenly kind of bring my brow down. There’s this look that Zach has about him and a very intense quality that he brings to his character that I wanted to try to copy, even in little moments like that, but in doing so I didn’t want to go over the top.” 

Matt's journey could have ended in "Shadowboxing," but he lives to fight another day, beginning in "Close to You." Photo by Trae Patton and copyright of NBC

With Sylar finally out of his mind, Matt is reunited with his wife and son, but in Close to You, Noah comes to Matt’s house and asks him for help to find Samuel (Robert Knepper), who is bringing together heroes for his own private agenda. At first, Matt refuses, but when Noah plants the seed that Samuel could one day come for Parkman’s son, Matt realizes that, once again, he has no choice but to lend a hand. Having worked with Zachary Quinto for much of the season, Grunberg looked forward to sharing some screen time now with Jack Coleman. 

“Jack is an amazing actor and it’s always great working with him. On the flip side, though, his character is someone who I strapped to a chair in a motel room, and now Matt is trusting him again, just like he trusted Peter, just like he trusted whoever,” says the actor. “These alliances keep getting to toxic levels and then suddenly we’re like, well, OK, it’s all fine with these guys. So it’s been a little crazy, but at the same time we’re all fighting for ourselves. It’s dog-eat-dog, and after a while a pack of dogs is more powerful than any single dog, so you’ve kind of got to go with it. 

“So at the beginning of the episode, Noah is pulling Matt out of his house, and then at the end, my character tells him, ‘Look, that’s it. Go home. I’m done with this.’ But like I said before, it gets very dark from here on in, not only with Matt, and I think people are going to like what’s coming up.” 

Having been a series regular before on Alias and Felicity, the actor has once again enjoyed the opportunity to walk for an extended period of time in Matt Parkman’s shoes and seeing his character grow and develop on Heroes. “When we first met Matt, he was quite lonely,” notes Grunberg. “His relationship at home was falling apart; he sort of had a clue as to why, but not really. Then, however,  he found out that his wife was cheating on him, so he couldn’t have been more alone at that moment. 

Father and son - Matt and Matt Jr. Photo by Chris Haston and copyright of NBC

“From there, Matt just wanted to figure out who did this to him [gave him his telepathic abilities], and in doing so, he discovered these other people who are very much like him. All of a sudden my character realized what it was he truly wanted, but then it was a case of be careful what you wish for. Matt became a John McClane [referring to Bruce Wills’ Die Hard character] and has been thrust into something he’s really not prepared for. He’s learning how to control his abilities, while at the same time discovering just how huge a deal this superhero stuff is. 

“So my character has basically gone from being alone, to going on this journey of discovery, and then finding his dad and realizing that all this is part of his destiny and there’s no turning back. Matt is now at the point where he can’t trust anyone, and the way I’ve tended to play it – and the writers haven’t really written to it in a while – is that this is a vicious cycle and he sees it happening all over again. Matt has powers and look what’s happened to his life, and now his son has powers, so what’s going to happen to him? Matt just wants to break this cycle and live that normal life, but it doesn’t look like that’s going to happen.” 

Besides his heroic endeavors as Matt Parkman in Heroes, Grunberg has also been busy with various other projects, including two films, one of which is called Group Sex

Group Sex is something I co-wrote and co-produced with Laurence Trilling, who is working on [the TV series] Parenthood at the moment and who I worked with on Alias as well as Felicity,” says the actor. “He’s a good friend of mine and a really talented guy and we made this movie independently. I’m starring in it along with Henry Winkler, Tom Arnold, Josh Cooke, Odette Yustman, Kym Whitley, Robbie Benedict and James Denton. Hayden Panettiere [Clare Bennet in Heroes] has a part in it, too, and so does Dania Ramirez [Maya Herrera in Heroes]. 

A rockin' Greg Grunberg! Photo courtesy of and copyright of The Lippin Group

“It’s a romantic comedy that takes place in a sexaholic recovery group, and I play this guy who belongs in this group, but is the best friend of a guy who wanders into the group. My character’s friend follows a girl who he finds attractive into the back room of a church and, all of a sudden, he’s in the middle of this group being led by Henry Winkler, who’s standing there saying, ‘I’m addicted to sex.’ The film really turned out well and we’re currently working out a distribution deal. I cannot wait for it to get out there because the title alone should intrigue people enough to want to see it, but the movie really does deliver. 

“I also did Kill Speed, which is another independent movie but it was financed by a group of fighter pilots, so we got to use all their jets as well as received cooperation from the FAA [Federal Aviation Administration] and airports. We also got military cooperation, which you normally can’t get. It’s the first film since Top Gun that actually has practical filming of air-to-air combat. The shots in the movie are unbelievable and they’re all real, like planes screaming between buildings in downtown Los Angeles, and a jet fighter following one of the these fiberglass planes that are used to transport drugs. 

“I play a government agent who’s calling the shots from underground and trying to get these drug runners. So for me it was coming in for two or three intense days of shooting where I was looking at monitors and yelling, ‘Come on, get ’em! Get ’em!’ It was more like a callback to my Alias days than anything else, but I had a really fun time doing the movie and I think people are going to enjoy it. 

“I’ve also got this iPhone application out there that’s been exploding and doing really well. It’s called Yowza!! and the website for it is It’s a free application, and you just press Yowza!! on your iPhone, iPod Touch, Palm Pre, Android, Blackberry, etc., and it knows your location and brings up all the stores, restaurants and businesses around you along with all their coupons and deals. So you never have to clip coupons again or look for the best deal by walking the mall. When you’re in a mall, press Yowza!! and it’ll show you, closest to farthest away, where the best deals are.” 

Husband, dad, talented actor and all-around nice guy, Greg Grunberg. Photo courtesy of and copyright of The Lippin Group

While there has been no official announcement yet whether or not Heroes will return for a fifth year, Grunberg remains optimistic. “I definitely think we’re going to get the opportunity to properly end the series in one year, two years, whatever it may be,” he says. “A show like this is successful all over the world and on DVD, and in today’s TV business you’ve got to have that. If a program isn’t a hit around the world or if it doesn’t take advantage of ancillary markets out there, then it’s not going to survive. 

“When the time does come, I hope the characters can all band together – those who are still standing – and have some satisfaction that they’re doing the right thing. Ultimately, that’s what everyone wants to do, even the characters who do something bad. I mean, Ali Larter’s character [Niki/Jessica Sanders/Tracy Strauss] feels terrible when she does something bad, but she can’t help herself. So I hope we can all see that ultimate redemption – no pun intended. It’s a tall order to wrap it all up, but we’ll see how they [the producers/writers] do it. Like I said, though, hopefully it’ll be a couple of seasons from now.” 

Steve Eramo 

As noted above, photos by Chris Haston or Trae Patton and copyright of NBC or The Lippin Group, so please no unauthorized copying or duplicating of any kind. Thanks!