Posts Tagged ‘Olivia Williams’

Dollhouse’s Eliza Dushku – A Not-So-Distant Echo

October 28, 2009
Jamie Bamber and Eliza Dushku (Echo) in the seasn two Dollhouse premiere "Vows." Photo copyright of Fox Television

Jamie Bamber (Martin Klar) and Eliza Dushku (Echo) in the season two Dollhouse premiere "Vows." Photo copyright of Fox Television

What would you give to have the perfect man or woman to perform everything from a daring heist to a kinky sexual act? That is the premise behind Fox TV’s Dollhouse, which stars Eliza Dushku as Caroline Farrell, a former college activist who, against her will, has her personality and memory wiped and becames an “Active” or “Doll” for a worldwide organization called  The Dollhouse. As Echo, she is programmed with various personalities depending on the needs of the person or persons who hire her. At the end of the show’s first year, our heroine had started to regain snippets of who she once was, and this (second) season, Echo is fighting to regain her true self while fighting The Dollhouse from within. 

The daughter of an Albanian-American administrator father and Danish-American professor mother, Eliza Dushku was raised with ambition in her blood. At the early age of 10, she was discovered by casting agents for the lead role of Alice in the feature film That Night.

Most recently, Dushku co-starred with Alan Rickman and Bill Pullman in Bottle Shock, a drama about the birth of the Napa Valley wine country. In 1993, the actress landed the role of Pearl alongside Robert De Niro and Leonardo DiCaprio in This Boy’s Life. The following year, she starred with Arnold Schwarzenegger and Jamie Lee Curtis in True Lies, opposite Paul Reiser in Bye Bye, Love and alongside Halle Berry in Race the Sun.

After high school, Dushku returned to acting with the role of Faith Lehane in Buffy the Vampire Slayer. Though initially planned as a five-episode arc, the character became so popular that the actress stayed on for the entire third season and returned for a two-part appearance the following season. The remainder of her original story arc was played out in the first season of the spin-off Angel. Repentant and rededicated, Faith returned as a heroine in a number of later episodes of Angel and the last five episodes of Buffy.

A few weeks ago, Dushku graciously spent part of her day off speaking with me and other journalists on a conference call about season two of Dollhouse. Here is an edited version of that Q & A. Enjoy!

How do you feel the direction of this (second) season differs from the last one?

ELIZA DUSHKU – Well, there’s so much being cracked open and explored, especially with Echo having this new place that she’s in, in terms of what we picked up from last year. She had all these personalities downloaded into her in one swift punch, and they’re not going away. This year, Echo is still tapping into these personalities. Sometimes it’s of her control, other times it’s not. Overall, she’s absorbing things from her engagements as well as The Dollhouse and she’s really becoming self-aware. However, it’s not necessarily as Caroline, but as Echo, as her own person, so she’s definitely more complicated. This season it’s a little darker all around. We’ll explore things such as the origins of some of the other Dolls as well as other characters. We’re also bringing in a number of guest-stars and other fabulous people, so there’s a lot of exciting stuff happening this year.

What trouble will Echo run into during her attempts to save everyone?

ED – I’m sure every kind and all kinds because it’s a Joss Whedon show. We’re starting episode seven and there are so many directions as well as layers. It’s all over the map. Of course, one of the main storylines is Agent Paul Ballard’s [Tahmoh Penikett], who spent last season trying to get into The Dollhouse. Now that he’s in and Echo’s handler, he’s working with her and they may possibly be trying to bring The Dollhouse down from the inside. We also get some backstory involving Dell [Olivia Williams] and her superiors along with other Dollhouses around the country and the world. We get an idea of just how big the Rossum Corporation is, and Summer Glau [Terminator: The Sarah Connor Chronicles] will be joining us as well. She’ll play a programmer from the D.C. Dollhouse, and we’ll get an idea of the way the other houses are being run.

How does a Watertown (Massachusetts) girl become Joss Whedon’s muse?

ED – That’s such a funny and good question, and I have no idea. When I made my audition tape for Buffy the Vampire Slayer, I went to the Arsenal Mall [in Watertown, Massachusetts] and bought my outfit at Contempo Casuals. I remember telling the clerk that I was making a tape for Buffy and they were so excited. And then I was actually emancipated by a Boston judge, who was also a Buffy fan. Obviously it’s a show that dealt with vampires who come out at night, and I was still technically a minor, so I had a great judge who emancipated me so that I could go out to Los Angeles and do the show. Fortunately, I was already out of high school at that time. I guess I’ve always gotten by with a little help from my friends, in Boston and everywhere else.

What do you like about working with Joss and doing his shows?

ED – First and foremost, I love the guy as a friend. Joss has been a friend, a brother, a teacher, a mentor, but the other obvious thing is just his talent. Joss’ skill is so beautiful to me, and he’s just wildly creative as well as smart, a feminist,  funny, dark, scary and twisted. Joss combines all that and more into such a sweet little package, and he gets me every time.

As great as the show is, as talented as the cast is, and as clever as Joss and his team are, obviously you want people to watch the show, and I’m just wondering, do you think Fox has put the show in a position for that to happen, airing you on Friday night after a comedy?

ED – Well, I think they realized last year that people who wanted to find the show did, and, obviously, there has been a lot of talk about DVR and TiVo and how we really are alive for a second season because of that in a major way. I can see how they would say that people found the show last year, so we’re just going to leave it where it is and hope that that continues.

Ratings are obviously important, but, you know, having a professor for a mother, she always taught us about qualitative versus quantitative research. I know we’re making a quality show and that we have quality fans and people who tune in experience something different and out of the ordinary. There are so many shows on TV that are instant hits; we’re not that, but we have a core following, and I think that people check the show out and aren’t intimidated by it. In fact, they find themselves being sucked in pretty easily. It’s sharp, intelligent fun. Sometimes it’s off-the-wall TV, too, and I know that when I’m spending an hour of my life sitting down to watch the boob tube, I love getting a rich experience out of it. And I’ve always found that to be true with Joss, in particular, as well as his shows. Having been given a second season, we’re just so grateful to the fans and to Fox for giving us another chance, and we’re making the most of it.

You and Summer Glau shot a promo last year, and back then your two shows kind of were fighting for the last spot in the line-up. Now that she’s part of your show, what’s the dynamic like between you and her?

ED – Summer is great. I love her. We’ve had such a good time during the past two episodes. She has come in with her A-game and is such a sweet, positive and fun actress. Summer is great to play off of. Our characters have some backstory that we have to fight out, and so that’s a lot of fun. Also, anyone who’s from Joss’ past and who he’s bringing back to work with, I assume he had a great working relationship with them. He wouldn’t bring any bad eggs into our house, so I can always pretty much safely know that we’re going to have the cream of the crop coming back and coming in.

You mentioned that Echo was kind of all over the place this year as a character; as an actor, how do you approach that?

ED – It’s easier this year because we don’t have as much of that sort of ‘dumb down Doll’ with Echo. She has all these personalities and is the sum of all these parts, including Caroline. At the same time, she’s not really any of these personalities, but is, in fact, Echo. There’s something grounding in that, and there’s a strength in the personality that she’s forming through that. Echo is picking and pulling information from all these different people that she’s been, and as a result she’s coming to understand and form her own ethics and morals. This character is constantly absorbing, thinking and processing, whereas last year she was switching from this dumb down Doll to a singular personality imprint, and it was always a different one. This season, there’s something going on inside Echo that’s not just what you’re seeing on the surface and it’s fun for me to play.

It seemed that you guys had such a strong fan base even before the show premiered. Do you guys pay attention to the blog sites and what the fans are saying when you’re coming up with how to shape the episodes and the series as a whole?

ED – I know that Joss and I have always paid attention to the fan love, and we love the fans right back, absolutely. I don’t know how much he takes tips from the fans when it comes to storylines. On the contrary, from what I’ve seen, when he sees someone falling in love with a character, he’s been known to assassinate that character or do something else terrible to him or her. Maybe that’s a blessing in itself, but Joss definitely has a mind of his own. Within the group of writers, they aren’t really conformists, I can confidently say. So whether it’s fans or critics or studios for that matter, they do their best work when they’re sort of left alone and they reveal things as and when they feel they should be revealed. And that goes for me and the other actors as well.

Sometimes it’s really exciting for me. I don’t want to necessarily know what’s going to happen three episodes down the road because it may affect the way I’m playing Echo today. I enjoy the thrill, the adrenaline that comes from reading the next new chapter, and the next layer that Joss reveals is one of the most exhilarating things that I’ve experienced as an actress.

Is there a particular role or character in an upcoming episode that you’re going to play that was hard for you to get into, and if so, why?

ED – Well, I’ll tell you, playing a mother was certainly something I hadn’t expected. I’m an aunt, and I’ve always loved other peoples’ children and babies, but playing a mother and trying to tap into that maternal instinct was a challenge, but also a thrill, and a beautiful thing, too.

Do you sit down with a script and break it down insofar as how aware Echo is of what’s going on with her, or do you just sort of do a scene and see what feels right in how to play it?

ED – We’re absolutely breaking it down more this year because those realized moments with my character are much stronger. It’s actually been deeper work for me, but, again, it makes the character more interesting and challenging for me to play. I have to say it’s been a blessing this year to also be shooting in HD [high-definition] because we have more time,which means i get to spend a lot more time with the material and these characters and their glitches, etc. I feel like that’s paying off for me a lot this year, and that my performance has gotten stronger and more honest.

In the season opener with Jamie Bamber there’s that scene in the office where he catches me, then bashes my head off the table, and then I end up in that sort of tailspin. I sort of famously now burst into tears in the middle of that scene because it was so emotional, and I now feel this real connection to the character that came from the inception of the show. Joss and I have tried to make this character a little bit based on me where it’s this struggle, this battle of who I  am. Even with all the pressures of society and things pouring in on me, where does that break and where is my authentic self, and how it feels to stand and live in that. So it’s very personal as well as exciting, terrifying and gratifying.

Do you feel like Dollhouse is really about the experience of being an actor living and working, in particular, in Los Angeles, and people expecting you to kind of fulfill their fantasies and the dark side of that? Is that something you feel when playing Echo?

ED – Yes, I absolutely think there’s a layer or more of that. When Joss and I had our infamous lunch, that was one of the threads and one of the themes, but I think it also translates to young women all over the world. I was the only girl in a family with three boys, and I remember my mother reading this book called Reviving Ophelia about adolescent girls and the way young women are broken down starting in their teens, where they’re starting to get hit from all sides by images in the media and how things start to change in their lives, especially when it comes to their fathers as well as their peers. It’s like the spirit of a young woman is so fragile and can be so toyed with and broken. My mother was always aware of that and really tried to fight against it and to teach me how to be comfortable in my own skin and all of that. So when I sat talking about that stuff with Joss, it’s so extraordinary that, as a man, he tapped into that in such a profound and intelligent way. I can’t think of anyone else that gets that and can create a fantasy show that encompasses such a universal and serious thing in our society. So it’s definitely parallel to me and, I feel, to women all over the world.

How much closer will Echo get to rediscovering her true self this season?

ED – Every single episode it’s been a little bit more. Again, we’re on episode seven now, and in this one we’ve been building to a real extreme. I’m scared to say too much because I don’t want to ruin it for the viewers, but Echo really is becoming an entirely different character in many ways. She’s getting further away from Caroline, even though she is Echo’s original self. Caroline is there, but Echo is discovering things about her that are unsavory or that are not Echo.

The development of my character has been so exciting and fascinating because of the way Joss and the writers pick pieces from each of her experiences and weave them into this new character. So you’ll be seeing a whole new Echo this season who is the sum of all the parts that she’s been.

They just released a film you did called Open Graves that kind of flew in under the radar. Can you tell us a little bit about it?

ED – I shot Open Graves in Spain about two-and-a-half years ago, and as is sometimes the case in this business, there are times that movies don’t come together at the pace or with the expectation that was initially intended. I actually haven’t seen the movie. It premiered on TV when I was in Italy, but I have yet to even watch it on my TiVo. The movie was a cool experience. I was interested in working with the director [Alvaro de Arminan], who had worked very closely with [producer/writer/director] Pedro Almodovar, and I thought the script had some interesting and different Sci-Fi/Horror twists to it. I enjoy working in that genre but it never quite gelled into the movie that I had anticipated, but, again, it happens, but you keep going. You don’t quit, and I certainly won’t quit that genre.

How much of a factor does (the Dollhouse episode ) Epitaph One play into season two, because it wasn’t originally broadcast but is part of the DVD set. Joss Whedon was saying that he’d like to revisit that in the future. Could you tell us a bit about that, please.

ED Epitaph was so well done and it brought me to tears. Truly, when Joss told me about it, I wondered how the hell he was going to do it, but I was just so impressed and proud of him and everyone involved. It was such a beautiful episode and I think it’s a shame that it didn’t air here [in the States]. But also the fact that it didn’t air was sort of the reason we came back, because they didn’t end the story. Getting picked up for a second season, the network probably wanted to pick up where we left off.

I know that in the first episode of this season, Joss originally planned on weaving some of that [Epitaph] into it, but there was already so much to cover. We had Amy Acker [Dr. Claire Saunders], who we’re not going to be able to have with us for the entire season, so we had her character’s storyline and we had to have a big, fierce engagement. So we took anything to do with it [Epitaph] out, but I do know Joss wants to slice in some stuff into future episodes. I loved the way the future looked, so dark and terrifying, and I hope we see more of it.

As noted above, photo is copyright of Fox Television, so please no unauthorized copying or duplicating of any kind. Thanks!

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Dollhouse’s Tahmoh Penikett – In The House

October 1, 2009
Tahmoh Penikett is Dollhouse's Paul Ballard. Photo copyright of Fox TV

Tahmoh Penikett is Dollhouse's Paul Ballard. Photo copyright of Fox TV

There is an old saying that nice guys finish last. Fortunately, that is not always true, especially for Tahmoh Penikett. Good-looking, congenial and, most importantly, talented, this Canadian-born actor has made quite an impression on TV audiences with appearances on such shows as Cold Squad, Smallville, The L Word and Stargate SG-1. Earlier this year, he not only finished a four-season stint playing Captain Karl “Helo” Agathon on Battlestar Galactica, but also made his debut as ex-FBI Special Agent Paul Ballard in Joss Whedon’s new series Dollhouse, season two of which premiered last Friday night on Fox. Having seen Penikett in Galactica, Whedon already knew who he wanted to fill Paul Ballard’s shoes.

“My manager called me in late February or early March [2008] to say that Joss Whedon [Buffy the Vampire Slayer, Angel] wanted to speak with me, and without hesitating I said, ‘Give him my number,'” chuckles Penikett. “So Joss and I met and had a great conversation. After telling me that he was a Battlestar fan, Joss began to talk about a new project [Dollhouse] that Eliza Dushku was going to be the lead in, and a character named Paul Ballard that he had written with me in mind, which was incredibly flattering.

“Joss and I really clicked during that first meeting. After he talked about the premise of the series, I told him about a book that I had read and found very similar in tone and sadness to this particular piece. Joss had also read the same book and agreed with me. He then told me, ‘You’re my choice for the role of Ballard, but, ultimately, you have to read for the network,’ and I said, ‘No problem.’

“The people at Battlestar released me from work for a few days so I could fly down to Los Angeles and do the network test. Eliza was nice enough to come all the way back from Peru, where I believe she was traveling with her brother, to read with me, and then the rest was out of my hands. When I heard I got the part, the people at Battlestar, being the incredible people they were, released me last April [2008] in the middle of shooting our last three or four episodes to go back down to LA and film the original Dollhouse pilot.”

In Dollhouse, Penikett’s character of Paul Ballard is assigned the task of investigating the Dollhouse, a mysterious organization that is home to a group of individuals called “Actives” or “Dolls.” These operatives, including Echo (Dushku), have had their personalities and existences wiped clean for the purpose of being reprogrammed with a new persona, sometimes multiple ones. Depending on who hires them, these “Dolls” can be used to do everything from commit crimes to fulfilling the ultimate fantasy. While most of his fellow agents treat the Dollhouse as a joke, Paul is determined to find it and rescue Echo. Like all new acting jobs, it took Penikett a little time to settle into his role.

“When you’re playing a new character you have to make some strong acting choices,” he explains. “Starting out, it was somewhat of a hectic shoot at times because of the rewrites as well as the hype that the producers and writers had to deal with as far as what it [the series] was going to be and what it had to be. As a result, we didn’t have much of an opportunity to talk at length with Joss about our characters and the direction that they’d be taking. I mean, yes, he did provide me with some essential information, and, thankfully, Joss and his writing staff are extremely talented, but there were times where I had to do some guessing and choosing on my own. That’s why it’s often somewhat easier with a miniseries or even a feature film because you’ve got a beginning, middle and end. So there’s something you can work towards in terms of choices and direction with regard to where your character is going to end up.

“So it was a challenge in the beginning with Dollhouse, but once we got into it and everyone got over their nerves and began to find their characters, it really started coming together,” enthuses Penikett. “I feel the second half of our first season was especially strong and everyone should be proud of it. Now that all those initial jitters are out of the way, I’m even more excited about the second season.”

Nearly halfway through Dollhouse‘s first season, Paul Ballard’s efforts to prove that the Dollhouse does, in fact, exist, are rewarded when he comes face-to-face with Echo in Man on the Street. “That was my first big episode of the show and one that pretty much concentrated on my character,” notes Penikett. “I thoroughly enjoyed shooting it; there was a lot of martial arts involved and I had a number of scenes with Eliza as well as several of my castmates.

“There’s another episode where Paul discovers that Mellie [Miracle Laurie], who’s this woman he’s fallen in love with and has been having an affair with for a while is, in fact, a Doll [codenamed November]. It’s almost too much for Paul and he can’t believe it. My character is devastated and absolutely shocked, and in this episode there’s a scene where Mellie takes him into the bedroom where they’re about to make love. Paul is taking his shirt off when suddenly she witches personalities, and my character thinks she’s just messing with him at first. That was such a well-written scene and a lot of fun to play. I just love Miracle. I think she’s a very, very talented actress and an angel. I really enjoyed working with her.”

In Dollhouse‘s year one finale, Omega, Paul is suspended from the FBI and subsequently captured by two Dollhouse operatives, Boyd Langton (Harry J. Lennix) and Adelle DeWitt (Olivia Williams). With limited options, he agrees to help the group find Alpha (Alan Tudyk), a rogue Active, in exchange for Mellie’s freedom. With Paul Ballard facing an entirely new set of personal as well as professional hurdles in the show’s second season, Penikett has one or two things on his “wish list” when it comes to his character’s on-going development.

“I’m hoping we’ll get to reveal a bit more of Paul’s past, because I think it would help audiences come to grips with his somewhat brooding, darker side,” says the actor. “He’s got some demons and has been thorough a lot. Paul is somewhat of a lone wolf, but he chooses to be one. Why is that? What happened in Paul’s past that has made him so averse to getting help from other people? Why is he so self-righteous? I think we should explore that a little more in season two, but not too much. After all, we want to leave something for season three,” he jokes. “Again, if we explore that side of my character a bit more, it might help the viewer, maybe not empathize or even sympathize with Paul, but perhaps better understand him because I think he’s confusing to some people.”

Prior to Dollhouse, Penikett became a familiar face the world over for his performance in the aforementioned Peabody Award-winning drama Battlestar Galactica. The actor first appeared as Helo in the 2003 miniseries, which at the time looked like it would be the character’s swan song as well when he gave up his place on a rescue ship to Dr. Gaius Baltar (James Callis) and remained behind on the enemy-occupied Caprica. Luckily, the show’s producers recognized Helo’s, and Penikett’s, potential and decided to keep them both around.

“Helo’s story arc became a more integral and important part of the overall Battlestar story as each season went on, and I’m truly honored that that was the case,” says the actor. “There were a lot of opportunities with that and the writers took what I was giving them and went with it. That’s a testament to how talented they were, because a lot of the stuff was just subtle choices that Grace Park [who played Penikett’s on-screen wife Sharon “Boomer” Valerii] and I were making regarding our characters’ story and giving it more backstory. The writers realized this and wrote for us.

“My character starts out as a young man at the beginning of the series. He has a lot of good qualities but he’s still a very young man, like most of the people in the miniseries and before the surprise attack by the Cylons. However, after war breaks out once again between man and machine, Helo has to grow up very fast and he proves that he doesn’t like being a loner. He has a true and extremely real ethical and moral sense like no one else has. Helo is obviously a leader and not afraid to fight for what he believes in. He’ll stop at nothing to save his wife and child and express his feelings when he disagrees with a decision that those in command are making.”

After five years of conflict and animosity, the surviving humans and humanoid Cylons come together on a new Earth-like planet to establish a brand new civilization in Galactica‘s two-part finale Daybreak. Not surprisingly, these remaining episodes were bittersweet ones for the show’s cast and crew to shoot.

“Being the finale, we knew that there were going to be some huge as well as scary and jaw-dropping moments,” recalls Penikett. “Ultimately, the work that everyone did in the final episodes of Galactica was incredible. Everyone shines. I had the opportunity to do an amazing scene with Edward James Olmos [Admiral William Adama] again, along with some incredible scenes with Grace, which I always loved. I also got to act with some of my fellow cast that I hadn’t really had the chance to do before.

“That’s what stands out for me about those final episodes of Galactica; the beautiful and truthful work and the pride we had about being part of a show that completely broke the mold of the stereotypical Sci-Fi TV series. We reinvented it, so when shooting the finale I focused on just being there every day and enjoying every moment that I was having with these people who I probably wouldn’t work with again for a very long time. Grace Park and I were totally on the same page. Even during those 16-hour days, we’d be sitting there looking at each other and smile, tease one another and laugh. Our last day and the last scene I shot was a very emotional one. We all had a good cry. It was a fulfilling and sad moment at the same time.”

Penikett spent most of this past May and part of June shooting The Syfy Channel miniseries Riverworld, in which he plays the starring role of Matt Ellman. Prior to moving back down to Los Angeles to begin work on season two of Dollhouse, he filmed an independent short film called Hostage, written by Brent Cote. “This is a piece that Brent pretty much wrote for me and Aleks Paunovic,” says the actor. “Aleks is an excellent actor and one of my best friends in the world. We’d been looking to do something together for a while and Brent wrote an amazing script that I got to produce as well as star in with Aleks. So I was pleased to have the chance to do that before trying to get organized for LA.”

Later this year I’ll be running a detailed interview with Tahmoh about his work on Riverworld to coincide with the airing of the miniseries on The Syfy Channel.

Steve Eramo

As noted above, the photo is copyright of Fox TV, so please no unauthorized copying or duplicating of any kind. Thanks!

Summer Glau Moves Into Joss Whedon’s Dollhouse

August 27, 2009

SUMMER Glau (Firely, Terminator: The Sarah Connor Chronicles) reunites with Joss Whedon when the actress joins the cast of Dollhouse this fall in a recurring role as Bennett, a Dollhouse employee who shares a past with Echo (Eliza Dushku). The second season of Dollhouse premieres Friday, September 25th @ 9 p.m. EST/PST on Fox.

Additional guest-stars appearing throughout the upcoming second season include Alexis Denisof (Angel), Jamie Bamber (Battlestar Galactica), Michael Hogan (Battlestar Galactica) and Keith Carradine (Dexter). Daniel Perrin (Denisof) is a U.S. senator leading a witch hunt to track down the underground organization. Mysterious, charismatic businessman Martin Klar (Bamber) is Echo’s new husband. Bradley Karrens (Hogan) comes to the Dollhouse hoping to stop a psychotic family member’s killing spree, while Matthew Harding (Carradine), a nemesis of Dollhouse leader Adelle Dewitt (Olivia Williams), stirs up trouble. Additionally, Dr. Claire Saunders/Whiskey (Amy Acker) and Madeline/November (Miracle Laurie) return this season in multiple-episode arcs.

Dollhouse is produced by 20th Century Fox Television. The series was created by Joss Whedon, who also serves as executive producer, writer and director. Tim Minear and David Solomon are executive producers, while Tara Butters and Michele Fazekas are co-executive producers. Additionally, series star Eliza Dushku serves as a producer.

Joss Whedon’s Dollhouse Returns In September

July 8, 2009

THE second season of Joss Whedon’s Dollhouse will premiere on Friday, September 25th @ 9 p.m. EST/PST on FOX. Series creator and executive producer Joss Whedon will write and direct the episode that will set the stage for season two.

In Dollhouse, Eliza Dushku stars as Echo, an “Active” in a highly illegal and underground group of individuals whose personalities have been wiped clean so that they can be imprinted with any number of new personas. Confined between missions to a secret facility known as the “Dollhouse,” the Actives are hired by the wealthy, powerful and connected to wholly become – with mind, personality and physiology – whomever the client wants or needs them to be. Whether imprinted to be a lover, an assassin, a corporate negotiator or a best friend, the Actives know no other life than the specific engagements they are in at the time – or do they?

Dollhouse is produced by 20th Century Fox Television. The series was created by Joss Whedon, who also serves as executive producer, writer and director. Tim Minear is an executive producer, while Tara Butters, Michele Fazekas and David Solomon are co-executive producers. Additionally, series star Eliza Dushku serves as a producer. The show also stars Tahmoh Penikett, Olivia Williams, Harry Lennix, Fran Kranz, Dichen Lachman and Enver Gjokaj.